LIVE: Nukuluk @ Windmill Brixton, London

With the release of DISASTER POP last week, Nukuluk took to the Windmill Brixton to launch their debut EP – supported by a host of exciting newcomers.

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In Review: Pop Smoke – Faith

As with all untimely deaths we’ll always be eager for a broader insight into what could’ve been with Pop Smoke’s potential. Does the second posthumous collection of his tracks satiate this eagerness or dilute the influential drill music that made his meteoric rise to fame?

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In Review: Squid – Bright Green Field

Squid’s debut album has lived up to the hype: it’s hard to pin down the album because it’s always changing. It continually mutates throughout, which is part of what makes it so enthralling.

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In Review: Alan Vega – Mutator

All the history of Vega and Suicide swirls around in this album from the vault, which has an eerie spatial quality to it. Hearing him yell at you from beyond the grave is disorienting; it absorbs you – it’s like you’re being haunted by his ghost.

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In Review: Natalie Wildgoose – ‘You’

The jazz crooner’s debut single is a sumptuous love song that borrows from the romantic refrains of Cocteau Twins’ Elizabeth Fraser and the folk traditions of Karen Dalton. It’s crooning done right.

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Sleaford Mods: “I’m not a believer in music changing anything…”

Condemning class tourism, Tory hegemony, and infamous political aids, Sleaford Mods have become a totem of the UK music scene by taking a stand for society’s dispossessed. The Buzz writer Miles Ellingham spoke to Mods’ frontman Jason Williamson and got his prognosis of the current moment.

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In Review: Sleaford Mods – Spare Ribs

Sleaford Mods’ new album doesn’t want to reassure you. It’s a snarling wake-up call: you’re disposable now. You’d better stand up, lest you become a spare rib yourself.

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Categorized as Reviews