In Review: Burial – ‘Chemz’

12-minutes of typically transportive delirium, ‘Chemz’ has a distinct reflective depth to it, but also effects the listener on a somatic level, as dance music is supposed to.

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In Review: Molchat Doma – Monument

The Belarusian synth-pop purveyors’ new album reflects the estrangement felt by a country at war with itself; a cold-wave, industrial daydream, a lost place between perestroika and the Information Age, steeped in the shadows of its past.

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In Review: James Blake – Before

The most up-tempo, fun release we’ve seen from Blake in a while, Before gleefully melds the experimentalist through-line of his oeuvre with the corporeal immediacy of dance music. On this four-track EP, he has returned to his roots – all the way back to his days as an adolescent dubstep DJ.

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LIVE: Between the Lines X Erased Tapes

Anne Müller, Hatis Noit and Daniel Thorpe came together for a special performance as part of the eclectic billing of the EFG London Jazz Festival.

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In Review: IDLES – Ultra Mono

Despite its pre-packaged rallying cries and at times falling short on political inspiration, the third LP from IDLES is still just as loud and angry as the times demand.

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In Review: Yellow Days – ‘The Curse’ (feat. Mac DeMarco)

Is it possible to write something ironically and for it still to feel emotionally affecting? George van den Broek aka Yellow Days remains a musical wunderkind, yet ‘The Curse’ is emblematic of his new record’s wider shortcomings.

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