Category: Reviews

Ireland’s post-punk troubadours return with a record that trades in the energetic power-chords of Dogrel for a healthy dose of anaesthetic.

After a four year transatlantic recording process, Song Sung release a debut album drenched in an occult atmosphere that stands out as an exceptional piece of soundscape creation.

The Mexico City-based shoegazers return with a new single, one that finds space to experiment without pulling up the roots.

Released with a surprising lack of commotion, folklore features some of Swifts most unadorned and mature work yet.

UK guitar music’s newest icon offers up a confessional take on the world through a cathartic lens that her avid following of teenage girls readily relate to.

An ode to love gone wrong, and the resentment and discomfort stirred up as a result, the Mercury Prize Award nominees’ recent single overflows with melancholy.

With the Brisbane four-piece ready to transpire, their fourth album beams a newfound freedom.

America’s anarchist problem children step into the storm with Molotovs burning and a message for the world.

The Baltimore quartet are back with their first release in three years, sticking to their tried-and-tested anthemic formula, bass and synths abound.

The London singer-songwriter’s bittersweet, self-titled third album cements her place as one today’s greats.