Category: Reviews

The Big Thief guitarist returns with a track as soothing as it is encouraging.

The German producer’s latest EP is characterised by a peaceful ambience at it’s heart, yet it seeds a forbidding edge that brings an alluring darkness to every track.

The Korean singer-songwriter and producer basks in the deep blue on her debut.

The debut from the Montreal happy-go-lucky post-punks proves that wherever Bobby’s Motel is, it’s most certainly the place to stay.

The psycho-jazz troop’s debut is a thing of musical, lyrical and emotional shine steeped in theatre.

Rather than her sophomore album being a romping, stomping paroxysm of feminism, Mancari, with the help of Paramore alumni Zac Farro at the production helm, has issued a statement embellished with feminine charm and lustre.

Having gone through a period of metamorphosis, the (now) trio’s latest single is a sneering, seething anthem every bit befitting a whisky-soaked dive bar in the Wild West.

Coriky’s eponymous first album has been a long time coming, and the DC punk-scene supergroup dart in and out of consciousness like a half-remembered dream, with nostalgia and deja vu embedded within the record’s framework without ever sounding like a repeat of their previous individual work.

Stripped of her literal voice, Margaret’s latest album should be approached as a transcendent exploration of personal sensations, a reflection of a parallel figure.