Yes, Kieran Hebden (aka Four Tet) has an important role to play, but Sound Ancestors is not a collaborative project in the traditional sense. It is very much Madlib’s work brought into focus by Hebden’s curation, reflecting Madlib’s talent across various styles, and as the album’s title would suggest, the genres that have shaped him.

It can be far too easy for any reviewer to trip over themselves in pretense and obsequiousness as they dissect FKA twigs’ artistry, but her new single is an uncharacteristically straightforward affair.

Where Norman Fucking Rockwell! sounded like a dying bugle call for the ‘American Dream’, ‘Chemtrails over the Country Club’ feels like Del Rey now wants to desperately clutch on to that forgotten world of innocence, suburbia, and naivety.

If Parks had a tagline it’d be: “making rainbows out of something painful”. On the breakthrough artist’s debut effort less is often more, but her statement is always profound.