In Review: Shame – Drunk Tank Pink

‘Second album syndrome’ always seems to be the making or breaking of a band, and as with any genre that involves a resurgence, post-punk is at times beginning to sound a little tired. Shame, however, seem to have avoided that entirely with an engaging and ambitious follow-up to their 2018 debut.

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LIVE: Vanishing Twin present ‘Pensiero Magico’

London’s experimental pop troupe beg the question with their surrealist, monochrome livestream: why did it take so long for us to get to this? Sitting between a music film and a gig, it offers something different, occupying its own space in live music performance.

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In Review: Lande Hekt – Going to Hell

Hekt’s full-length solo debut packs together grungy riffs with hard-hitting questions about her own sexuality and identity which enabled her to be relentlessly authentic and, essentially, find happiness.

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Sleaford Mods: “I’m not a believer in music changing anything…”

Condemning class tourism, Tory hegemony, and infamous political aids, Sleaford Mods have become a totem of the UK music scene by taking a stand for society’s dispossessed. The Buzz writer Miles Ellingham spoke to Mods’ frontman Jason Williamson and got his prognosis of the current moment.

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