The New Yorkshire Heavy Underground compilation, released via Bandcamp for ‘no fee Friday’ on 4th September, features regional talent such as Pulled Apart By Horses, bdrmm, Peach Club, and more.
In Review: Deftones – ‘Ohms’
The first sample of Deftones’ ninth full-length effort makes for typically headbang-able fare, yet the lead single from it’s namesake album is sewn with a prescient, regretful, and almost universal desperation.
In Review: Me, Charles – Like and Share
South London’s Charles Stooke delivers a bizarre debut full of melancholy and K-Hole crooning.
Big Thief’s Adrianne Lenker reveals two new solo albums – hear lead single ‘anything’ here
songs + instrumentals is set for release this Autumn, via 4AD.
In Review: Chappaqua Wrestling – ”The Rift’
With socio-political lyrics as sharp and incisive as its riffs, the Brighton-based band’s grungy ode to shoegaze deserves to be cranked up, loud.
LIVE: IDLES, Lock-In Session at Abbey Road
We locked in to Saturday’s instalments of the Bristol band’s rough-around-the-edges Abbey Road live sessions.
Reading & Leeds Festival reveal lineup for 2021, but why the lack of female artists once again?
With six major headliners including Stormzy, Queens of the Stone Age, Disclosure, and Liam Gallagher, the British giant once again avoids the opportunity to level the playing field.
In Review: Angel Olsen – Whole New Mess
The new, rough-around-the-edges release from Olsen provides the other side of the coin to 2019’s All Mirrors.
In Review: Kelly Lee Owens – Inner Song
Through the process of personal reflection and recuperation, Owens’ techno/ambient merger champions the notion of interpreting music as a meditative exercise to consciously heal and connect.
In Review: Komang – ‘Dewi’
Self-described as “Solange with an Indonesian twist”, Komang merges traditional Indonesian musical cultures and modern electronic pop, avoiding the clichés that so often ruin similar fusion projects. Instead, her debut single ‘Dewi’ just feels fresh.